Keep Your Boys Engaged!

20151215_162202I just finished teaching a small group of boys and it is clear that they need to move around and/ or use their hands!! As I researched gender differences in the classroom, it is astonishing to me that we still teach in a manner that requires kids to sit most of the day! We are always so surprised that our boys can be all over the place in our classes, yet we set them up to fail right off the bat! The school environment that we have created encourages behavioral problems in all of our students! Granted, boys have a much better shot of succeeding in our classes where movement is a common event, but they have been sitting for so long before we get them, that our classes are affected, as well!

So what can we do??

Well, if it were up to me, I would have kids come into school and run at least a mile before we start classes, but that’s just me J! Since we are not in a perfect world, I do have some suggestions:

  1. Bring in a basketball and have kids bounce the ball to the steady beat ~ then see if they can create a “routine” where they keep the beat, but the ball is passed and bounced in various ways!
  2. For improving breath control, have one student throw a ball to another while a third student, sings a note for as long as the ball is in the air ~ then add a second ball and have a student sing a third above the first pitch and so on…how many balls and pitches can the group keep going at once?
  3. Use the NK blocks or better yet, the NK cushions to build a structure and see if kids can say or sing the rhythm….they decide what to sing when…
  4. Choose 5 songs that you have sung this year or will be in your winter concert and write them down on separate pieces of paper. Then put kids into 5 small groups and have them choose a piece of paper with a song on it and figure out a way to act out the songs. The goal is for the other kids to guess the song without knowing beforehand what is was!

Check out www.noteknacks.com/lessons for more great ideas!

Rhythmic Hot and Cold Game

IMG_9945Classes can be crazy this time of year, especially when you are preparing for a concert! If you find yourself with a bit of time that needs to be filled, here is a fun game to play! It takes “Hot and Cold” to a whole new level!! When one is far from the object, one sings or plays a whole note, as it will take a long time to find it! When one is quite close, one can sing or play sixteenth notes, as the object will be quickly found! Enjoy!

Materials:

  • Object to hide

Objectives:

  • To have fun!!
  • To be able to say color rhythms accurately
  • To find hidden object
  • To give proper directions

Methods:

  • Choose student to leave room
  • Class hides object
  • Student comes back in room and proceeds to look for object
  • As student looks for object, another student sings, plays or chants: (click HERE to see how to say colors!)
    • (whole note) Grey-ey-ey-ey ~ if student is very far away from object
    • (half note) Blue-ue ~ if student is getting closer to object
    • (quarter note) Red ~ if student is getting closer still to object
    • (eighth note) Yel-low ~ if student is close to object
    • (sixteenth note) Ter-ra Cot-ta ~ if student is super close to object
  • This goes on until student finds hidden object
  • When object is found, new student leaves room and it starts all over again!

Macy’s Thanksgiving Day Parade Fun Facts Through The Decades

bbb6444284571_5736d0aa18_mThe Macy’s parade interactive website offers a variety of facts and photos from its long history, but I pulled out those that I thought were musical noteworthy! (Some are direct quotes, while others are a summary) Here they are:

  • 1920’s
    • The inaugural Macy’s Day Parade took place on Christmas, 1924 with performers, jazz bands and animals from the Central Park zoo!
  • 1930’s
    • In 1934 Macy’s designs a balloon in the likeness of a real person (This is the only time this happens!): super-famous-at-the-time vaudeville performer Eddie Cantor.
    • Celebrities join the parade starting in 1934 with Eddie Cantor, actor Harpo Marx, singer Jessica Dragonette and bandleader Benny Goodman (Would have loved to have see him!!!)
    • In 1938, WOR Radio begins broadcasting the excitement.
  • 1040’s
    • The parade makes its film debut in 1947’s Miracle on 34th Street. Edmund Gwenn stepped in for Santa in 1946’s parade—as he filmed his starring role in the holiday film classic.
    • In 1948: the parade’s first national televised broadcast on NBC.
  • 1950’s
    • Celebrities from TV, Broadway and the movies join the fun: Howdy Doody, oscar-winning actress Ginger Rogers, Jackie Gleason, and Shirley Temple Black who was the “Princess” of 1959’s parade, signaling the end of the decade.
    • In 1958, for the first time, the parade lines up the Rockettes (My childhood dream was to go to NYC and become one!!)
  • 1960’s
    • Bob Hope serves as “King” of the parade while Shirley Jones and cast members of Bonanza ride down Broadway on horseback.
  • 1970’s
    • Performers include Diana Ross, Queen of Motown, The Village People and Menudo.
      • (This cracked me up, so I included it) So here’s what happened. Menudo is originally slated to perform on a float like the other entertainers. BUT TEEN GIRLS. Deciding it would be best to protect the heartthrobs from a mob scene, the parade keeps the group high above the hysterical fans—and has them perform on top of a moving bus. We don’t know how they got up there…
    • Opera singer Jessye Norman, music icon Diana Ross, song-and-dance man Ben Vereen
  • 1980’s
    • The Annie float debuts in 1981 as one of the largest ever built by Macy’s parade studio! The enormous replica of the orphanage and Warbuck’s mansion carries 17 actors from the original film. It’s so big that designer Manfred Bass rides atop the roof and radios the crew as they guide the float along the route.
  • 1990’s
    • Featured entertainers are Shania Twain, boy bands and Christina Aguilera.

Macy’s Thanksgiving Day Parade Marching Bands

Photo credit: smswigart via Foter.com / CC BY

Photo credit: smswigart via Foter.com / CC BY

It is quite a big deal to be a part of this event! If you would like your marching band to participate, you need to apply by March 1st, 2017 to be considered for the 2018 parade! Talk about planning!!! (You can apply HERE!) It is said that approximately 300 bands apply and only 12 are selected!

Here is the line up in alphabetical order:

  • Cary Senior High School Marching Band, Cary, North Carolina
  • Grain Valley Marching Eagles, Grain Valley, Missouri
  • Greendale High School Marching Band, Greendale, Wisconsin
  • Harrison High School Marching Band, Kennesaw, Georgia
  • Hawaii All-State Marching Band, Hawaii
  • Hendrickson Hawk Band, Pflugerville, Texas
  • Newsome High School Marching Band, Lithia, Florida
  • Prospect Marching Knights, Mt. Prospect, Illinois
  • West Point Band, West Point, New York
  • West Virginia University Mountaineer Marching Band, Morgantown, West Virginia
  • Macy’s Great American Marching Band, USA
  • NYPD Marching Band, New York

Macy’s Thanksgiving Day Parade Featured Performers

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Photo credit: WilliamMarlow via Foter.com / CC BY-NC-SA

The musical performers for this year are quite a diverse crew, however, my 2 favorites have to be Tony Bennett and of course, the Muppets!! Here is they are:

  1. Brett Eldredge
  2. Chloe and Halle
  3. Daya
  4. De La Soul
  5. Easton Corbin
  6. Fitz And The Tantrums
  7. Jacob Whitesides
  8. Kelsea Ballerini
  9. Maddie & Tae
  10. Aloe Blacc
  11. Ben Rector
  12. Regina Spektor
  13. LunchMoney Lewis
  14. The Muppets J
  15. Grace VanderWaal
  16. Tony Bennett (Yeah!)
  17. Timeflies
  18. Sarah McLachlan
  19. Diamante Eléctrico
  20. Johnnyswim

Two Heads Are Better Than One!

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I just came back from the NAFME convention in Grapevine, TX. It was fantastic! I enjoy going to conferences around the country because I learn so much. There are always so many cool presenters and materials that bring a whole new prospective to what is going on in the world of music education.

As I sat through sessions and walked around the exhibit hall, I was struck by all that is out there to help our children learn how to play, participate and enjoy music. Exhibit halls are a music educator’s playroom; so many neat things to see and touch!

There are those that think that many of these “new” tools or methodologies are in conflict with each other. Sometimes we see things in black and white and think that the many philosophies are mutually exclusive. I do not believe this to be the case. The comment that keeps running through my mind is what my colleague Brad Bonner once said to me “It is important to give children many musical experiences because you never know what will click with a kid.” I agree. We, of course, have our own starting point and general philosophy, but ultimately, we must let children explore music in several ways. It is through exploration that we learn.

Here are THE 2 best ways to do just that!

  1. MAKE IT MULTISENSORY: If you are showing rhythm cards and working through them with your students, why not pull out your Note Knacks and show them that those musical symbols represent length of sound…..along with the Rhythm Clock to show it in a pie chart!
  2. EXPLAIN IT IN AS MANY WAYS AS POSSIBLE : Regardless of what syllables you use to teach rhythm, why not mix it up? I will often create a measure and say it in colors, Ta’s and Ti’s, Du’s and Du-de’s, 1 and 2 ands, along with simple words such as pot and flower. I always tell the kids “It doesn’t matter how you say it, what is most important is that it sounds like this…”.

Multisensory opportunities and explaining content in many different ways only increase the chances of truly understanding the concept and remembering it tomorrow..and hopefully into the next year!!

5 Ways To Reenergize!

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This past weekend our choir participated in a concert dedicated to St. Cecelia, the patron saint of musicians. The adult choir participated, as well and sang my very favorite piece Ave Verum Corpus by W.A. Mozart. As I sat and listened to this beautiful music, I was reminded of why I do what I do. It isn’t that I forgot ~ or even that I haven’t been enjoying teaching ~ rather I remembered how much I, myself, enjoy music for its own sake. I think we sometimes get so caught up in making sure our students are getting a solid music foundation along with the love of this incredible discipline, that we forget to nourish our own inner musician…we forget that we too need inspiration….SO, as a result, here are 5 ways to do just that!
1.      Go to a concert of your favorite music…..now is the perfect time, as we are soon getting into holiday music!!
2.      Leave your instrument and the music you are working on out all day while you are home. I read this in book about practicing…although the name escapes me now, but the author had a great point ~ if it is out and ready to play, you are more likely to do it, even for a few minutes here and there. It will not only encourage practicing, but a reminder of why we do what we do.
3.      Leonard Bernstein’s video series at Harvard called “The Unanswered Questions”. He is not the most dynamic speaker, but what he says is truly fascinating and enlightening! There is a lot of “Oh, I remember that from college” thoughts, but it is also filled with a few “Wow!! Didn’t know that!” thoughts! Click HERE to view.
4.      Start composing yourself….why not? No one else needs to hear it….the objective is to have fun!
5.      …and of course play with your Note Knacks!! …you never know what you will create!
Here are just a few ideas, please let us know in the comments below what you do to stay inspired! We would love to hear it, as the best part of this is hearing from all of you!
Have a great week!

STEM to STEAM Part 3: Making It All Connect!

rhythm_clock-compIn our final installment of the STEM to STEAM series, I wanted to highlight the connections between disciplines, although, in an education world where math is from ~ let’s say 9-10 and language arts is from 10-11 etc…,is it really worth the trouble and is it even possible? (I do think that schools will be changing schedules and teaching models to create a more project based learning environment, but that is for another post…)

The geniuses in our world are always those that see connections where others don’t. In his article “How Geniuses Think”, Michael Michalko talks about how geniuses are not determined by one’s IQ, rather the way they look at the world around them and what they do with that information. As one would expect, it is in making relationships and connections where there seems only chaos or no connection at all. Click HERE to read the full article ~ It really is worth the read!!

This brings me to STEAM ~ Science, Technology, Engineering, the Arts, and Mathematics. How do the Arts, and more specifically music, fall into this? How can music help students connect to the other subjects and how can those other subjects connect students to music?

Joseph Vincelli, a saxophonist composer outside of Dallas came up with a way to connect it all with a very cool tool! It is called the Rhythm Clock. (photos above) Click HERE for more info! It is a teaching tool that makes you think! (…and of course I am so excited about the use of Note Knacks colors!!) and see the whole picture!! This tool shows:

  • Degrees
  • Fractions
  • Notation (both notes and rests)
  • Percentages
  • Clock positions
  • North, South, East, West

On the back, it goes on to show these relationships in chart form:

  • Shape
  • Quantity
  • Piece name
  • Color
  • Fraction
  • Note symbol
  • Rest
  • Degrees
  • Percent
  • Decimal
  • Money

I know that many teachers have used some of these ideas to teach notation and here it is all spelled out in a simple to use manipulative! I am too excited about it!!

It comes with a DVD that shows how to create rhythms on the clock where 12 is the starting point and one moves in a clockwise direction to read the rhythm. It allows one to see rhythm in another way and is especially helpful for all of you that use pie charts to teach rhythm…. J

You can use it in your classroom and do your own thing with it, or better yet, utilize last week’s lesson “How To Get Them On Board” and encourage classroom teachers to use it in their rooms, as they see fit. Again, they are in no way obligated to teach rhythm. The benefit will be that kids will see Note Knack colors and make the connection.

However, if you want to take it a step further, you can make a game out if it! In true STEAM fashion, you can have the students create a 4/4 rhythm using a code, with the back of the Rhythm Clock as its key. A student can choose to write it all in degrees ~ 180 + 90 + 45 + 45 = half note, quarter, eighth, eighth, OR all in percentages ~ 50% + 25% + 12.5% + 12.5% (same rhythm) etc.. or one could mix it up ~ 180 + 25% + 0.125 + 1/8th. (again, same rhythm). Kids could make them as long or short as they want and then switch with their neighbors to work them out! The kids will have a blast trying to trick their friends, while making connections between disciplines! (You can purchase your very own clock HERE!)

How have you been able to work together with the classroom teachers in your building? Let us know what you think in the comments below!

STEM TO STEAM Part 2: How To Get Them On Board

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It is no surprise that non-musicians get freaked out at the very thought of singing or playing an instrument in front of others…even classroom teachers! (although it always surprises me how often we ask our students to take risks and to “try hard” even if they are scared, and yet we, ourselves, will rarely do such a thing!). In this whole business of STEM to STEAM, I would imagine that a lot of teachers are not all that thrilled at including music as a part of their curriculum ~ they believe, like many do, that music is only for “the talented”. (Click HERE to find out how I really feel about that!)

Enter us ~ “The Music Education Expert”! Rather than simply offer a song about the times tables or rock formations, let’s take it a step further. Let’s get the school faculty creating music together….I know, I am NUTS, but think about it for a moment ~ here is an opportunity to be a resource for the faculty. How perfect! At the very beginning or end of a faculty meeting, you could stand up, introduce yourself as one of the “A in STEAM” resources and teach a lesson that you know they will love and will be successful with immediately. I am sure you have one in your arsenal, but if you don’t here is a great one from Dave Holland’s Drumagination Lesson Booklet (Click on his website interactiverhythm.com for more information):

BEAT IN THE FEET

This activity combines hand/ eye coordination while providing sound effects to actions happening in the center of the circle. This is a great way to invite participants to the center to do some facilitating of their own!

THE SOUNDS:

  • drums, hand percussion

THE SET UP:

  • Begin by saying “when my feet hit the ground, play one sound.”

THE PLAY:

  • Once you’ve established group cooperation, say “what other sounds can you create to match this fancy footwork?”
  • Begin to experiment with other foot movements such as tiptoe, stomping, sliding, or even the moonwalk!
  • Now invite 1 or more members of your group into the circle to lead the group in creating sound effects or some groovy feet beats!

VARIATIONS:

  • Once you’ve had some fun with this game, use your feet to establish a new tempo or pulse (6/8 anyone?) for the next group to groove!
  • Consider using other body parts to illicit sounds from the group (ie: arm wiggle, punch, booty shake)

THE PAY OFF:

  • Leadership empowerment, creativity
  • representative language

(Page 20)

And last, but not at all least, remember to communicate:

  1. What you don’t expect (which is just as important: note reading, proper singing technique, etc…)
  2. Music is for everyone ~ regardless of level. Making music together is ALWAYS a good idea!..and ALWAYS a lot of fun!

If you have a great lesson that you would like to share, please post in the comments below! We are always looking for great ideas!

Part One: The Basics ~ In Our STEM To STEAM Series

This week’s lesson is an example of what a STEAM lesson looks like in the music classroom, but the truth is, classroom teachers could easily do this as well ~ using a basket of small percussion instruments, a blank sheet of paper and a pencil. My goal is to not only to give you a great lesson, but to also inspire you to create your own STEAM lessons that you can either teach in collaboration with others or share with those that are looking to incorporate a little music in their day!

FIRST: What is STEAM?

  • Science, Technology, Engineering, Arts, Mathematics

STEAM experiences: (taken from educationcloset.com)

  • involve 2 or more standards from these disciplines
  • assessed in each
  • inquiry, collaboration, and an emphasis on project based learning

STEAM Process:

  1. Investigate ~ create an Essential Question
  2. Discover ~ what other subjects can connect to this topic?
  3. Connect ~ choose the areas you would like to connect and look at standards in those areas
  4. Create ~ a lesson that asks an Essential Question and guides students through an investigation of it, making sure to meet the chosen standards
  5. Reflect ~ think critically about your own work, as well as those of your class

SECOND: A sample music lesson beginning with an Essential Question:

PROGRAMMING LESSON

  1. ESSENTIAL QUESTION: How do composers let musicians know what he/ she wants them to play or sing?
  2. CHOSEN LINKED SUBJECTS: Music and Technology
  3. §117.112. Music, Grade 3, Adopted 2013
    1. Foundations: music literacy. The student reads, writes, and reproduces music notation using a system. Technology and other tools may be used to read, write, and reproduce musical examples.
    1. §126.7. Technology Applications, Grades 3-5, Beginning with School Year 2012-2013.
      1. Critical thinking, problem solving, and decision making. The student researches and evaluates projects using digital tools and resources.
  4. INVESTIGATION:
      1. Pull up your computer on an LCD projector
      2. Ask students to come up with a set of directions to get from one spot to another
        1. Make it fun by creating a sort of obstacle course
      3. List on computer in a word doc
      4. Once finished, ask students how to save it
        1. (click on the “save” button)
        2. Ask them why can’t you just use your words or type “save”?
        3. POINT: if you do not tell the computer EXACTLY what you want it to do, it will not know to do it
      5. Send students off into small groups to create a set of directions on 3 x 5 cards to complete either a task you created or one they did
      6. Have students come together and share their results
        1. How many steps did it take to complete this task?
        2. Which group did it in the fewest steps?
        3. What was your process?
        4. POINT: going through the process exposes just how exact one must be

  5. Now let’s turn to music. Let’s go back to the original Essential Question: How do composers let musicians know what he/ she wants them to play or sing?
    1. Create a simple Sol Mi La 2 or 3 mm melody in your head with a sfortzando somewhere
    2. Sing it to your class
    3. Ask them “How can I get someone else to sing this?”
      1. Write answers on a board (someone will suggest to teach it to him/ her by rote. Ask if this method will work for a piece of music that has several instruments and lasts an hour long, such as a symphony?)
    4. ANSWER: we will need to write it down. How can we do that? (by this point, your students will go straight to notation if they know how to read basic melodies, if not, see how they solve the problem.)
    5. Proceed to follow their method. The point of this is to show that if you want a sfortzando on the third beat of the second mm, you need to write it in. Musicians will not know otherwise.
    6. Send students off into small groups to create a piece of music and write it down so that others can read it and know exactly what to play
      1. This can be in any form you would like. If your students are familiar with Note Knacks or are fluent in music, they can use block or conventional notation, if not, have them invent a way to represent it)
      2. Kids can add dynamics, tempo, orchestrations etc..
      3. As an extra incentive, the piece that is the most interesting wins a prize. Discuss with students what “interesting” means exactly.
    7. Have groups swap pieces and check to see if what was played was what the composers wanted.
  6. REFLECT:
    1. Talk about the process
      1. What was easy? Difficult?
      2. Did your group have to revise it after someone played it?
      3. Did you want to add anything in after it was played?
      4. Remind kids of the connection between programmers and composers…. 🙂

FINALLY: How to transform it into a lesson for a non musician:

Classroom teachers could begin the same way, but make it all about computer programming. THEN, as a follow-up fun activity, they could add the music piece ~ the objective being that kids create a short piece of music using the instruments in the basket, their voices and/ or other sounds they can find (science lesson, anyone?). They then need to write it down in a created system other than conventional notation.

The great thing about this is that non-music teachers will not be intimidated because they do not need to know anything about music composition ~ it is an extension on the computer programming idea, as far as they are concerned. (It would also make sense to present it this way) 🙂

If you work with ….not so enthusiastic faculty members….you could collaborate ~ let them handle the computer piece and you handle the music piece.