Name Game Extended

As the new year gets under way, names can be an issue, especially for those of you working with transient populations. As I have stated in the past, I love doing name games in the beginning of year…and throughout the year for the little ones. Kids love the sound of their name and it helps connect them to you, as their teacher, as well as to what you are trying to teach them! This game is simple, fun and filled with endless possibilities for building important skills! Here are some ideas to get you started! (Each step can be done for days, weeks or until you feel they are ready to move on to the next step.)

 

  BEAT 1 BEAT 2 BEAT 3 BEAT 4   BEAT 1 BEAT 2 BEAT 3 BEAT 4
WORDS Hel- lo Hel- lo   How Do you do? ….
RHYTHM I I I I I M half
SOLFEGE Sol La Sol Mi Sol Mi Mi Sol
 
WORDS Hel- lo Kris- tin, its   good to see you.
RHYTHM I I I M M I half
SOLFEGE Sol La Sol Mi Mi Mi Mi Re Do

 

  1. Start off with singing it as is~ I use a fish puppet to sing it to the kids so that when they say their name, their focus is on the fish and not on the fact that they are speaking or singing by themselves!! I also tell them that they can shake a fin, if they would like!
  2. Sing, but elongate the “do” on the 7th beat. As you sing it, move your hands for as long as you sing it so that students can see the length.
  3. Ask students what you did differently. Encourage them to sing it and decide how long the “do” should be. They can move their body, as well, to show their sound.
  4. Now sing it, but sing the “do” very short and add a hand burst gesture to show this (hand starts off as a fist and immediately outstretch the fingers and thumb).
  5. What did I do that time? (You can add several short sounds, if you would like.)
  6. Have kids experiment with this ~ they can choose to sing a long “do” or a short one. (NOTE: Because it is a name game, you can have one kid sing a verse, choose a student, and then that chosen student sings a verse and chooses the next person, and so on…)
  7. After they master this, move it to drums or any other instrument. Have kids sing it and play it at the same time (using the above method so that each student gets a chance and plays by themselves).
  8. Then eliminate the voice and have kids look at the next student while drumming the syllables of the name. (This is great for getting kids to develop non verbal communication in an ensemble setting!!)

This is where I will leave it for now….I have some ideas of where to go next, but I want to hear from you! What are your ideas and thoughts on how to build on this? Leave a comment below!

Center Series: Activities

For the first week of school, my goal was for the activity to be familiar for the kids returning and simple enough for any newcomers. I also wanted it to be fun and unexpected! I created task cards for each group to help them be more independent ~ they worked really well in that kids could refer to them if they got stuck. (I wrote one for the first grade even though they may not be reading yet ~ they will be soon enough and it gave them yet another example of how print can be used in our everyday world!)

Here are 4 simple centers to start off the journey!

FIRST GRADE: Cut out different lengths of paper and glue onto larger paper in any order you would like.

We talked about long and short and then they went right to work. I could have set it up a bit better, but I liked the idea of having them not know where we were going…just yet. Next time we will get more into the nitty gritty and do lesson 2 of the NK lesson plans, but instead of using objects found around the room, we will use their examples.

SECOND GRADE: 1. Create a rhythm in the longest frame using at least 1 red. 2. Say the rhythm together. 3. Make as many rhythms as you can.

Kids had a great time with this! They were able to play around and see how many different combinations they could come up with!

THIRD/ FOURTH and FIFTH AND UP: Create as many rhythms as possible in 4/4 (or 3/4 for the older kids) using any combo you can clap out. First Beat quarter make up the rest.

For the older kids I added an incentive ~ the small group that comes up with the most combos will win a prize. A couple of the groups worked systematically while others worked randomly. It was interesting to see how kids approached the task! One group even found ALL of the combos within the parameters I set (no syncopation or dotted notes). They were very proud!

This week was a good test run to see where the kinks might be. I discovered that time is an issue…as always!! It reinforced the idea that there needs to be one class devoted to that mini-lesson that explains the centers before they actually go ahead and do it. I tried to do both for this first run, as the directions were simple, but the kids needed more guidance ~ I needed to check in more than I think I would have, had I taken more time to explain…..good to know!

If you have done centers and have found successful strategies, PLEASE share!!

Center Series: Logistics

When creating a center based curriculum, there are a lot of logistics involved beyond what concepts/ skills you want your kids to learn. Questions arise: what procedures need to be taught? What materials are involved? Do I need to set them up, or can the kids do it? How does only having 20 minutes play into this? How much do the kids already know as far as working in small groups? Etc.. a lot of these need to be answered in order to proceed, but some will be answered as we go…..like most of what we do!

Typically in a regular classroom, there are several different centers; kids rotate through them after a mini lesson in each. Considering this will be the first time I am doing it with this group, I wondered if this would be feasible right off the bat, so I decided to do only one activity per grade level and have them break into small groups for the first month. This way, we could work out the kinks before it got too complicated.

I also decided that we would do an activity from each of the categories (4 categories, so 4 week’s worth of activities) explained in the last post (read HERE); thus kids would know what major concepts were being covered this year and the standards we want them to master. Last year we did a lot with Note Knacks and reading, so I thought that The Reading Center would be a great place to start!

I chose the activities first, then thought about what the kids needed to know before we started. There is first day stuff (names and what we are going to do here) and then there is the procedures that we follow to work efficiently and safely throughout the year. I always do a name game of some sort to start and then we can dive into the procedures.

Procedures:

  1. Line up outside door quietly ~ Is it really necessary to have kids enter your room quietly? According to Fred Jones in Tools For Teaching, kids understand that your classroom is a place for learning, not fooling around. When they enter quietly, you are cutting out another opportunity for issues to arise.
  2. The Briefing ~ I am formally adding this. In the past I would tell kids what materials they needed to gather, where they needed to sit, etc…., but this year I want to try to have a written out statement of what they can expect that day with specifics. Because it is written out, the older kids will be able to read it ~ I’m not sure if this will take too much time, we shall see!
  3. Kids enter room ~ kids go to where they need to be. I will let them sit where they want for now, but I am leaning towards assigned group seating. I am hoping it will cut down on hurt feelings and chit chatting.
  4. Mini Lessons ~ If this is the beginning of a center cycle, I will have a mini lesson on each of the centers they will be doing for this cycle. This lesson will include the steps and final result, which will be on a note card so that when they forget next week (because you know they will!!), they have a reference that they can figure out on their own. The more independent they are, the better!
  5. The 5 minute warning ~ 5 minutes before the end of class, I will let kids know, so they can wrap up.
  6. Clean up ~ Expectations for leaving the space.
  7. Line up and exit ~ Expectations for lining up, leaving the room and walking in the hallway to my colleague’s room.
  8. Entering the other room ~ how to enter quietly and respectfully

Throughout this process, I will have kids model what they think I expect for each of the categories. (What does it look like when we enter a the classroom? Type of things) Because it is the first week of classes for us, they will be on their best behavior, so this is the perfect opportunity to “catch” them being model choristers! I will have lots of chances to praise them and give them a sense that I know they are bright and helpful!!

Next week I will dive into what centers I decided on and how they are working! In the meantime, have a great week!

Learning Centers In The Music Classroom!

As the upcoming school year gets under way, I have been thinking about what I want to do to shake things up in my classes. I have decided on centers. I have done them in the past to a certain extent, but this year, I want to go full out!! Why not?

I looked for resources in the usual places and have to say I was a little disappointed. There is a lot out there that is fun, but not as much with real substance. Of course I want my students to have fun, but I also want them to learn something in a way that empowers them. My goal is to create an environment where they investigate and construct their knowledge. This will build confidence and a joy in what they learn.

For the next few weeks I will be writing about centers from start to finish ~ how I plan them, how they are executed and how well….or not… they go. I am looking forward to the journey!

When I was getting my Masters in Early Ed back in the 90’s, literacy centers were all the rage. We were all excited about “Guided Reading” by Irene Fountas and Gay Su Pinnell and “Whole Language”. As one can imagine, this time made quite an impression on me! Ever since I started teaching music and saw what was out there, I have been obsessed with teaching music literacy in a way that echoed what I learned. As the practice has evolved, so has my understanding of how children learn. I am convinced that the more we look at successful literacy and math teaching methods, the more we will succeed in teaching our young musicians how to be fluent readers and composers ~ and lovers of the art we love so much.

So to kick off this voyage, I will share the very first step I took: my centers outline. These are the centers I am thinking about and will probably need to tweak as I go:

  • Listening Center: where kids listen to the music we are working on and complete a relevant task to better understand it
    • I am super excited about this center, as I have always wanted to do it! Most, if not all, of the research in our field talks about the importance of listening. Kids need to hear a piece lots of times in order to internalize it and therefore understand it better. I am looking forward to hearing the impact!
  • Experiment Center: where kids try out different rhythms and pitches to see what they like or don’t like
    • This will be a space where kids can tinker with sound. Before we ask them to commit to a rhythm or phrase, they should have the chance to see as many possibilities as they can think of!
  • Reading Center: where kids play, match or recreate what they see
    • This is a space where kids will investigate notation. How is it the same? How is it different? How do the lengths relate to each other? What does this have to do with time signature? Does it play into it at all?
    • How does pitch play into it? How do we determine pitch? What if we want more than one instrument playing that pitch at the same time? How do we notate that? And so on…
  • Games Center: where kids play games to put it all together
    • I am not set on this one yet, but I think it could be a lot of fun. I also think it will be where the activities that do not fall into the other categories will fall. We’ll see!

Please share if you have used centers in your room and the activities that were successful for you!

5 Whimsical Activities For A Great Start To Your Year!

whim·si·cal

/ˈ(h)wimzik(ə)l/

Adjective

  1. playfully quaint or fanciful, especially in an appealing and amusing way.

“a whimsical sense of humor”

synonyms: fanciful, playful, mischievous, waggish, quaint, quizzical, curious, droll, fantastical, Seussian; eccentric, quirky, idiosyncratic, unconventional, outlandish, queer, fey;

informal: offbeat, freaky

“a whimsical sense of humor”

  1. acting or behaving in a capricious manner.

“the whimsical arbitrariness of autocracy”

synonyms: volatile, capricious, fickle, changeable, unpredictable, variable, erratic, mercurial, mutable, inconstant, inconsistent, unstable, protean

“the whimsical arbitrariness of autocracy”

(according to Google)

For those of you that are starting school so early (July 31, really???), I thought I would offer 5 whimsical activities that are meant to be fun and engaging….after all, it is still technically summer. I offer these not as serious opportunities for hardcore learning and assessment, rather as a way to have fun with your kids in the beginning of the year when the summer-to-school year transition can be a little tough….for both the kids and us!! Each activity can last as short or as long as you would like and can also serve as time fillers in-between transitions or if you have a few minutes to kill at the end of a lesson. The main point is to connect or reconnect with your students after a long summer vacation, so embrace the absurdity of starting so early and have a blast!

  1. Move. Move as much as possible with your students! Here is a link to some excerpts of whimsical classical music that will inspire your students to get up and dance…and be a little silly J
    1. http://www.dewolfemusic.com/search.php#/?id=9283579&code=7P8twh
  2. When you are singing or hearing music for the first time, have kids identify the long notes. The second time you hear it, have kids use a scarf to show the long sounds.
  3. When singing with sheet music or music textbooks, have kids count the number of half notes, then eighth notes etc… in that piece of music. 5 points to kids that are correct. Its fast, fun and gets kids noticing notation details. What you do with the points is up to you!!
  4. Put kids into small groups and ask them to create a short (appropriate) silly song about something they did this summer. Have them perform it at the end of class.
  5. Give kids instruments and ask them to find a different way of making sound with it ~ of course in a way that does not damage the instrument!

5 Simple Ways To Create More Time In Your Day!

Time. We never have enough and so I am obsessed with time management and productivity! Here are a few ways to make your lives a bit easier once the craziness of the year begins.

1.  Leverage tasks to students

Students always want to help and there are plenty of tasks that need to occur in any given class that we can delegate. We do not have assistants (usually), but we do have kids who want to show that they too are valuable to the class …of course we know how important they are, but do they?

How to implement: These are tasks like handing out instruments, passing out music, cleaning up, etc… At the beginning of the year show kids exactly how to complete a given task correctly, have them practice it, then create a rotation schedule that they can see and your done!!

2.  Systemize as much as you can

The less you have to think about, the better! Systems is how McDonald’s grew into the huge company that it is. The owners knew that if they had very simplified instructions to repeated tasks, any 18 year old that had the job could do it. This meant that not only was the quality of product successful in every store, but no time was wasted when a new restaurant was opening up; the operations were all set!

How to implement: Teach your kids procedures for coming in, sitting in their seat (assigned seating might be helpful, depending on your students), moving to the carpet, etc.. Again, use the first few classes to go through these. A very important point is that kids need to practice these procedures like the tasks above. In the beginning of the year, kids want to please, so it is the PERFECT time to go through these and “catch them being good!!”

3.  Know your outcomes

In practically every productivity book out there, this one shows up. You need to know what you are working towards. This is no surprise, however, Tony Robbins adds a nice twist to it. One of our outcomes could be to prepare kids for the upcoming concert, but sometimes things come up (ok, something ALWAYS comes up) and you can’t get to all of the music on the program, so what do you do? Decide what must get done and do only that. (For more info on this, Google Robbins’ Time Of your Life ~ choose from videos, articles and products.)

How to implement: Going back to the previous example ~ your outcome is to prepare your students for the upcoming concert. Let’s say they are singing and playing 5 songs. Of course, you would like to cover ALL of the songs and instrumental parts, but the class has yet to unfold. List all of the songs and all of the specific items (measures to go over, pitch, dynamics during a certain section, etc…) you want to work on in those songs. Then star the items that are absolutely necessary. The bottom line being that if you are crunched for time, you already know what you can live without. There is no time wasted on the inevitable “Oh no, what should I do?…. now that the teacher has shown up 15 minutes late because they had to finish some ridiculous state test (not that I have an opinion on such matters J) Also it is helpful to list them in order of importance.

4.  Have a plan for behavior

I know I keep bringing this up, but Fred Jones’ Tools For Teaching goes through this beautifully. If you have missed my blog posts on it, here is the main one: https://noteknacks.com/what-to-do-with-behavior/ . It’s worth checking out!

How to implement: This book covers it all ~ from setting up your classroom for success to strategies for the pumpkins we will surely encounter.

5.  Have at least an outline of what you are going to cover in the upcoming year.

It is true that we all have state standards to cover, but at the end of the day, it is up to us to decide what to teach when. If we do some of the major planning on the front end, the year will go a lot smoother.

How to implement: This summer…or right before school starts…create an outline of what needs to be covered when, as well as what pieces, songs, folk dances etc.. you want to cover. When you finally get into your classroom, make sure all of the materials are ready to go.

 

Resources: Books, articles, YouTube videos from Tony Robbins, Darren Hardy, and David Allen

5 Quick Ways To Help Your Students Practice The Basics

I have been thinking a lot about teachers who see their students so little these past few weeks. The problem is not just there isn’t enough time to go deep into the information, but also there isn’t enough time for thoughtful practice. We know that students need a lot of repetition with a concept before they internalize it, yet our schedules do not support this well know fact.

For the last installment of this series, I would like to offer 5 ways to provide thoughtful practice that are quick, but are still meaningful. Here they are:

  1. Create a 5 minute ritual (of course in game form!) for every class where they are practicing the basics of rhythm and pitch.
  2. Planning is EVERYTHING!!! I love letting the kids take me where they want to go, but when time is an issue, you always have to take them back to where you know they need to go! …ok, this one isn’t quick….but it will be meaningful J
  3. Use class transitions as opportunities for practice. Examples: kids echoing short rhythms and/ or solfege syllables.
  4. Create a mystery phrase of the week that you sing or play over the morning intercom. When you repeat it in class ~ the class with the most correct answers gets a small prize. (You could do this by grade level to make it fair)
  5. Ask kids to be detectives and to find as many things in their everyday lives as possible that sound like a steady beat. Examples: turn signals in cars, clocks, etc…

We still need more time, no doubt, but I hope this series helped in finding fun and simple ways to get as much out of our kids as possible!!

As always, if you have ideas, please share them with us!

Rhythm Charades

As promised, here is another literacy skills packed lesson that is fun and easy to do! It can be done in the first 10 min of class or have it last the whole time!! It takes charades to a whole new level and has so many versions, that your kids won’t get bored!
Rhythm Charades

Objectives:
• Students will create rhythms and perform them in various ways
• Students will decipher said rhythms in spoken and/ or written form
• Students will practice audiation

Basic Method:
1. Create a rhythm in your head
2. Get up in front of group and act out rhythm using body parts, BUT make it silent:
a. Example: bend your elbow to red, red, yel-low, red
3. Call on a student to tell you what your rhythm was
4. Have that student create a rhythm and so on…..

Beyond The Basics:
• Start with only reds and yellows, then move to the rest of the notes ~ to make basic rhythms, then add dots and so on…
• Start with tapping out the rhythms, so it is basic dictation, then go on to moving body parts that make no sound, such as elbows, knees, hips, etc….
• Have kids say the rhythms that were created, then have them write them down
• Put kids into teams and have them compete with each team creating a 2 mm rhythm…(then maybe 4mm!!!) that they will need to act out in either just basic body movements or in a fun dance! (They can all do all of the measures together or they can break it up resulting in a seamless dance)
• Take all of the composed rhythms and create a class piece that can be performed in a silent dance, but that shows the rhythms OR some of the piece can have sound and some of it be silent.
• ….ask your kids, as I am sure they will have many more ideas!!

3 Ways To Balance Creativity With Perfection!

I am in the process of reading Edwin E. Gordon’s Music Theory for Newborn and Young Children. So far, I am most impressed with 2 points that he makes:

  1. “Children are ill-equipped to learn what most teachers are attempting to teach. Without the same kind of acculturation in music young children receive in language by parents and caregivers during five years or so before they enter school (the first eighteen months being most important), there is little hope for debilitating circumstances in music education to be alleviated.” (Kindle Location 50-58 of 1975)
  2. “….yet most children have never had a chance to perform music individually before they begin formal music instruction, and once they do begin formal instruction, they are seldom offered or allowed opportunity to perform solo in class. Most formal instruction involves teaching groups of children to sing by asking them to repeat in ensemble sounds a teacher or others make. Yet imagine outcomes in language learning if children were asked to speak only in groups, repeating what a teacher said. They would learn to imitate only what others around them are saying and so would not give meaning to what they themselves said. They might not ever create a sentence of their own to express personal thoughts.” (Kindle Location 212-220)

I am convinced that these two points are connected and will even go so far as to say create a vicious circle. Most children get the idea in their music classes that they are:

  • incapable of creating music without very specific guidelines
  • not musically talented

As a result, we have parents not singing to their children. Personally, I think it stems from the music elite who think that if someone doesn’t have a “perfect” voice or Mozart like talent, they should not sing or play at all. I have heard this said to music teachers, as well. This kills me. This isn’t to say I support mediocre standards in our field, but there MUST be a middle ground:

  1. If you teach music, sing with your kids as much as possible. If you feel that your singing needs improvement, get better. Period. Take classes, get a singing teacher, whatever!! NEVER stop singing and making music together. Think about the message this sends to your kids ~ don’t make music unless you are perfect. How many of them do you think, think of themselves as perfect singers? Also, you have absolutely NO leg to stand on when you are encouraging them to participate in ANY activity in which they feel insecure!
  2. Encourage spontaneous music making and improvising in your class. Continuously send the message that there are times for creating music that may not sound good right off the bat, but it is through this exploration that kids will get to know how music works and will then be better musicians overall.
  3. And, of course, there are times when accuracy in playing/ singing are necessary. This is important, not only because the situation demands it, but also because this will also help us in improvisations and composition.

In the end, we must empower our students to feel confident enough to create and make music on their own. Only then will they always have some kind of music making in their life.

From Length To Symbol ….And A British Accent

As you might have guessed, I am in full concert mode getting ready for our end of the year “presentation”, as my colleague and I call it. The second graders have chosen their rhythms, traced and colored them in and have written the symbols on a new sentence strip. We have already spoken about rests, but have not yet practiced them enough, so they used the sound symbols instead. Practicing what is written will be the perfect follow-up lesson for after the concert!

I had to clarify a couple of notes in an orange marker (blue would have been better but I did not have one handy). This again reiterates for the students why CLEAR notation is important and the role it plays in reading music. When kids are creating the music themselves, they get an opportunity to see where the glitches are and can see not only how to fix them, but also why something needs to be fixed in the first place!

I haven’t decided on instrumentation yet, as we are still in the “practice like crazy” stage; however, they are currently practicing on tables (which I am referring to as “table drums”) in order to get their technique down. We have talked about why it makes sense to keep their fingers hovering over the table and why using the upper half of their hand makes sense.

This helped a great deal in accuracy, but as always you get kids who are not as enthusiastic as you would you like and they don’t help the overall sound, SO I told them to use their imaginations….

Imagine you are professional musicians and people pay thousands of dollars to hear you perform. Then imagine coming out on stage wearing beautiful poofy dresses (as this class is made up of all girls) and gorgeous jewels..and you are looking perfect! (This is all said on a very uppity British accent for some reason)How would you sit? Where do your hands need to be, etc…

…and this worked!! The kids sat up and were so excited to perform! We had a blast and each time it sounded better and better! It all boils down to the art of practice with a little comedy thrown in for fun J

The next step now will be to have them write out a final draft so that I can copy it and send it home with each student at the end of the year! What a great memory it will be for them!!